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SDG
Het is volbracht! (variant I). Composed by Gertim and harmonisation improved by BSG.
SDG
0:56 Est. Play
Time
16 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Stem Treble 13 0 3 7 97%
Bass 21 0 4 6 94%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Stem Treble 13 0 3 7 97%
Bass 21 0 4 6 94%
 
Dear Lord and Father of Mankind, TUNE: REPTON, Parry, Whittier
SDG
0:01 Est. Play
Time
49 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Organ Treble 22 7 6 6 100%
Bass 18 0 6 4 78%
View all 7 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Organ Treble 22 7 6 6 100%
Bass 18 0 6 4 78%
Bass 17 3 4 6 100%
Alto Treble 11 0 0 4 78%
Soprano Treble 11 0 0 4 78%
Bass Bass 11 0 0 4 53%
Tenor Treble 11 0 0 4 53%
 
32. Befiehl du deine Wege, J.S. Bach, BWV 272.
SDG
0:55 Est. Play
Time
14 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Voice Treble 16 0 5 5 100%
Treble 16 0 5 5 100%
View all 7 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Voice Treble 16 0 5 5 100%
Treble 16 0 5 5 100%
Bass 22 0 7 6 100%
Bass 22 0 7 6 100%
Soprano/Alto Treble 16 0 5 5 100%
Tenor/Bass Bass 22 0 7 6 100%
Contrabass Bass 16 0 5 5 50%
 
God had ons zo lief, want zo lief had God de wereld, dat Hij Zijn eniggeboren Zoon gegeven heeft, opdat een ieder die in Hem gelooft niet verloren gaat, maar eeuwig leven heeft. Nederlandse versie uit John Stainer's Crucifixion
SDG
0:01 Est. Play
Time
78 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
T B Bass 21 0 6 7 99%
S A Treble 20 0 6 7 98%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
T B Bass 21 0 6 7 99%
S A Treble 20 0 6 7 98%
 
Behold the lamb of God, Messiah Händel.
SDG
0:25 Est. Play
Time
32 Measures
1,242Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violin
I,
2nd 		Treble 18 0 3 8 100%
Violin
II,
2nd 		Treble 20 0 4 9 100%
View all 21 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violin
I,
2nd 		Treble 18 0 3 8 100%
Violin
II,
2nd 		Treble 20 0 4 9 100%
Violins
I		 Treble 18 0 3 8 100%
Violins
II		 Treble 20 0 4 9 100%
Bassoon,
Bassoon		 Bass 16 0 3 8 94%
Cello Bass 16 0 3 8 94%
Contrabass Bass 17 0 3 8 94%
Viola 16 0 3 9 94%
Alto Treble 13 0 3 6 81%
Treble 13 0 3 6 81%
Treble 13 0 3 6 81%
Soprano Treble 13 0 3 7 81%
Treble 13 0 3 7 81%
Treble 13 0 3 7 81%
Oboe,
Oboe		 Treble 13 0 3 7 81%
Harpsichord Treble 24 50 6 8 75%
Bass 24 36 5 8 72%
Tenor Treble 13 0 4 6 75%
Treble 13 0 4 6 75%
Treble 13 0 4 6 75%
Bass Bass 15 0 3 8 75%
 
4. Soll's ja so sein, dass Straf' und Pein, (Ach Gott und Herr), J.S. Bach, BWV 48-3. Cantate 'Ich elender Mensch, wer wird mich erlösen?'
SDG
0:31 Est. Play
Time
11 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Voice Treble 13 0 4 6 100%
Bass 24 0 7 6 100%
View all 5 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Voice Treble 13 0 4 6 100%
Bass 24 0 7 6 100%
Soprano/Alto Treble 13 0 4 6 100%
Tenor/Bass Bass 24 0 7 6 100%
Contrabass Bass 17 0 6 4 50%
 
10. Ach, was soll ich Sünder machen (B.A. 39. No. 7), BWV 259.
SDG
0:37 Est. Play
Time
12 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Voice Treble 12 0 2 5 100%
Treble 12 0 2 5 100%
View all 7 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Voice Treble 12 0 2 5 100%
Treble 12 0 2 5 100%
Bass 21 0 5 5 100%
Bass 21 0 5 5 100%
Soprano/Alto Treble 12 0 2 5 100%
Tenor/Bass Bass 21 0 5 5 100%
Contrabass Bass 15 0 2 3 50%
 
5. Der Lindenbaum, Schubert. For low voice. Slow version (for practice). Für tiefe Stimme.
SDG
0:01 Est. Play
Time
82 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano,
Right
Hand		 Bass 27 32 11 10 100%
Piano,
Left
Hand		 Bass 23 23 4 10 89%
Voice Treble 11 0 3 7 76%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano,
Right
Hand		 Bass 27 32 11 10 100%
Piano,
Left
Hand		 Bass 23 23 4 10 89%
Voice Treble 11 0 3 7 76%
 
27. Auf meinen lieben Gott. BWV 136.6. Johann Sebastian Bach
SDG
0:43 Est. Play
Time
13 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violin Treble 13 0 2 4 100%
Treble 11 0 2 4 50%
View all 10 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violin Treble 13 0 2 4 100%
Treble 11 0 2 4 50%
Horn
in
F		 Treble 6 0 0 4 100%
Oboe Treble 6 0 0 4 100%
Soprano/Alto Treble 14 0 2 4 100%
Tenor/Bass Bass 22 0 4 5 100%
Viola 10 0 2 5 100%
Contrabass Bass 18 0 3 3 45%
Violoncello Bass 18 0 3 3 45%
Tenor Treble 2 0 0 1 8%
 
80. Ermuntre dich, mein schwacher Geist. J.S. Bach, Schop, Rist. BWV 248.12 (Weihnachts-Oratorium).
SDG
0:52 Est. Play
Time
14 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 15 0 4 4 100%
Tenor/Bass Bass 23 0 5 4 100%
Soprano Treble 1 0 0 1 5%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 15 0 4 4 100%
Tenor/Bass Bass 23 0 5 4 100%
Soprano Treble 1 0 0 1 5%
 
42. Christum wir sollen loben schon. BWV 121.6. Johann Sebastian Bach.
SDG
0:51 Est. Play
Time
17 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 15 0 5 6 100%
Tenor/Bass Bass 24 0 6 6 100%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 15 0 5 6 100%
Tenor/Bass Bass 24 0 6 6 100%
Contrabass Bass 17 0 4 5 46%
Alto Treble 3 0 0 2 6%
 
35. Christe, du Beistand deiner Kreuzgemeinde. BWV 275. Johann Sebastian Bach.
SDG
0:51 Est. Play
Time
16 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 15 0 4 3 100%
Tenor/Bass Bass 21 0 6 5 100%
Contrabass Bass 11 0 3 3 50%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 15 0 4 3 100%
Tenor/Bass Bass 21 0 6 5 100%
Contrabass Bass 11 0 3 3 50%
 
65. Die Sonn' hat sich mit ihrem Glanz. BWV 297.
SDG
0:35 Est. Play
Time
12 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 16 0 5 5 100%
Tenor/Bass Bass 22 0 6 5 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 16 0 5 5 100%
Tenor/Bass Bass 22 0 6 5 100%